by emma yau, raina lampkins-fielder, rebecca bray

a wide-ranging survey of black art in the american south, from thornton dial and nellie mae rowe to the quilters of gee's bend

for generations, black artists from the american south have forged a unique art tradition. working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, and recycled and cast-off objects that articulate america's painful past--the inhuman practice of enslavement, the cruel segregationist policies of the jim crow era and institutionalized racism. their works respond to issues ranging from economic inequality, oppression and social marginalization to sexuality, the influence of place and ancestral memory.
among the sculptures, paintings, reliefs and drawings included here--the majority from the souls grown deep foundation in atlanta--are works by thornton dial, lonnie holley, ronald lockett, hawkins bolden, bessie harvey, charles williams, mary t. smith, purvis young, mose tolliver, nellie nae rowe, mary lee bendolph, marlene bennett jones, martha jane pettway, loretta pettway and henry and georgia speller. also featured are the celebrated quiltmakers of gee's bend, alabama, and work from the neighboring communities of rehoboth and alberta.

*hardcover

the poetry of spaces is a stunning exploration of the core principles of aesthete stylist sarah andrews' work. beginning with the five foundational themes of: light, life, instrument, material, and sense, sarah explores the inspiration behind these lessons before sharing some impeccable examples of their use in homes across the world. The following 'places' and 'rooms' chapters offer a chance for a deeper dive in the styling choices at some truly remarkable homes. sarah's creative eye and relatable writing style will inspire readers to look afresh at their homes and reach for new style heights.

discover 50 groundbreaking female photographers and how to incorporate their styles and techniques into your own photography. often in the shadow of their male counterparts, these inspirational women developed new techniques, created their own signature styles and captured everything from war to fashion. from early pioneers to contemporary leaders, they paved the way for generations to come and continue to do so, inspiring them to pick up a camera and decide what type of photographer they want to be. featuring masters of the medium, such as anna atkins, imogen cunningham, nadine ijewere, lee miller, shirin neshat, lorna simpson, cindy sherman, zanele muholi and ingrid pollard, this book is beautifully illustrated with full-color images of the photographers and their work.

this beautifully designed clothbound book brings together the 'Palabrarmas' series by the chilean-born artist, poet and activist cecilia vicuña (born 1948).

images of these works―each a powerful juxtaposition of color, poetry and politics―appear alongside new essays and historical references chosen with the artist. palabrarmas, a neologism that translates to "word weapons" or "word arms," imagine new ways of seeing language. taking the form of collages, silkscreens, drawings, poems, fabric banners, cutouts, mixed-media installations and street actions, vicuña’s palabarmas bring together her work in poetry, activism and visual art. each one unpacks and deconstructs single words to reveal other words hiding within them, allowing new meanings to emerge.

the artist began making these visual anagrams while in exile in london and bogotá after the pinochet-led coup of 1973 in chile, and has always seen them as a form of liberation―as a way to "open up minds by opening up words," as she puts it. the palabarmas have taken on new relevance in today’s political climate, and appeared on the streets during chile’s 2019 revolution as protest signs. this book presents a range of palabrarmas in color for the first time, with new essays by mónica de la torre, carla macchiavello, cecilia vicuña and jeanne gerrity, and reprinted texts by rené daumal, robert randall and simón rodríguez.